July 23, 2013
Summertime has arrived and as it should be, it’s time for new readings and a little bit of relax. Therefore, activities will slightly slow down on the blog. As few might have noticed, some of the Lego interviews I did recently have been published as an exclusive on the London Progressive Journal and therefore, they do not appear here. So, here you are the Links to the articles and the videos that you might have missed 🙂
“Is there any truth in this model?” I ask.
“Well, what it’s truth?” he says. “The truth is that this block here is red”, he says showing me a red brick. “We can say that it is true that this is red but that’s on a very simple kind of level. You can get into it more specifically and more philosophically about what is red. Many different people in the world may describe this as ‘not red’ because this is red as well” he says pointing at another transparent red brick. “But it’s a different kind of red” he adds. “So I think it’s important to really be aware and to actually take time: if you want to learn about information, and possibly truth, you need time to communicate with a lot of different people with different perspectives. Then you might get close to the truth and get some interesting responses too”. [J.P. Tremblay]
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June 28, 2013
Jean-Philippe Tremblay
Jean-Philippe Tremblay is a Director/Writer, Producer and filmmaker. His latest work, Shadows of Liberty, costed him more than 5 years of work, and it has been presented in June at the Biografilm Festival and here is where I meet him.
Inspired by Ben Bagdikian‘s book “The New Media Monopoly” that in 1984 reported how media is controlled by only 5 conglomerate corporations, Shadows of Liberty is a true and sincere ode to freedom of information, where journalists tell their stories and present the difficulties they face to reveal the truth at any cost, going against the establishment. An inspiring documentary that shows and demonstrates that even today, regardless the corruption and the the power of corporations and governments that do their best – or their worst – to manipulate information and craft consent, there are still brave and hard-working individuals who investigate, research and reveal the facts and the truth. My interview with Jean-Philippe Tremblay could not be anything but about information. Yet, before getting into the real question, I also wanted to learn about what being a filmmaker means to him. And this is how we start.
What is filmmaking? I ask.
He immediately engages with the bricks with an open mind, like anyone who enjoys exploring and experimenting, he is one of those individuals who communicate life and experiences. He stares at the bricks and then he starts telling me the story.
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June 20, 2013
Slavko Martinov
‘I am not scared… I have a beer!’ he says as soon as we meet. He is surprised and enthusiast as he sees the bricks. He is Slavko Martinov, filmmaker who filmed and produced Propaganda [See previous Post]. I explain him that the method is not a psychoanalytic session, but a search for truth ‘Which is typically subjective’ he adds.
As a filmmaker who has been working hard on the issues of propaganda and information, my questions were simple in their constructions, to let Slavko’s views and ideas to emerge freely: What is Information? I ask.
He stays silent for a while and starts playing with the bricks. He turns all the bricks upside down.
Deconstructing information
All separated. All detached. All on the table. Then, when he’s finished, he starts talking:
‘All these pieces are information… If you ask me what information is, it really makes me think that if everything I have turned the other way was information as it’s presented, my natural instinct is to turn everything over and examine it from underneath, or sideways or back to front, or upside down… That’s how I get to the truth. I just don’t accept information as it’s given to me. So, if this is me, my idea…’ and he pics the human figure and shows me the flower on the head ‘this little flowering of an idea or the bloom of an idea is that to question everything, upside down… even if I was built up and passed of some information I have to ask, according to who, where the source come from, who benefits and why I have been given that structure of information… I would completely take it apart to examine it…’
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June 14, 2013
Slavko Martinov
Slavko Martinov is a New Zealander film-maker who created an international case around his latest work, Propaganda: a documentary which presents Western society through the critical eyes of an anonymous North Korean professor. The professor is actually Mr Eugene Chang, a South Korean expat whose life has been completely changed by the attentions the movie has received by South Korean authorities, who accused Eugene to be a North Korean spy. The accusations lead to Eugene’s marginalisation and repudiation from the South Korean community in Christchurch, New Zeland, where he lives and where the documentary has been filmed and directed by Slavko Martinov and Mike Kelland. The idea of making a case has been a brilliant intuition, yet consequences went far beyond any expectation: the film mysteriously appeared on YouTube on 18th July 2012 as a documentary provided by North Korean defectors, and it circulated as anti-Western propaganda material originating from North Korea, before the truth around the film has been revealed.
During a round table at Biografilm Festival, Slavko admits that he would never imagined that his movie would have such an impact on members of his crew’s life, he expected consequences, but on himself. He worked with legal experts and was ready to face problems, but despite the public efforts Martinov and Kelland have been doing to clear Eugene name, the three of them are officially considered North Korean agent and Eugene’s life has been tuned upside down.
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