April 13, 2014

How can co-creation, LEGO Serious Play, Privacy, UX & Data quality be connected?

Exploring how Privacy, UX and co-creation are related to LEGO Serious Play
Exploring how Privacy, UX and co-creation are related to LEGO Serious Play

LEGO Serious Play, privacy, data quality, co-creation, and UX. It seems a random list of topics, yet there’s a fil rouge that links them.
The impact of technologies has had a deep effect on how people and organisations interact: old-fashioned words, which were popular only few years ago, such as ubiquitous computing, or always on, are now everyday’s reality, making interaction and communication easier, quicker, multimodal.

Technologies and the web have produced new ways to communicate and have put people closer, offering new ways to interact. In a word, we are living in a world of conversations, where everything is conversation, as predicted in 1999 by the Cluetrain Manifesto. People interact more, users interact directly with companies, the web empowers consumers to engage in conversations with people and organisations we had no idea how to reach only 15 years ago.

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October 3, 2013

LSP Facilitator Training in Italy!

LEGO SERIOUS PLAY

LEGO SERIOUS PLAY

For the first time, the LEGO SERIOUS PLAY facilitator training lands in Italy. The training will be held by Robert Rasmussen on 25-28 March 2014 and the location is Milano, next to Loreto Tube Station. To get the information Pack or to know more, please, get in touch!

The 4 days’ training will introduce participants to the secrets and magic of LSP. The Objectives of the course are the following:

  • 1)  To experience and learn the LEGO SERIOUS PLAY methodology and its standard applications, Real Time Strategy for the Enterprise and Real Time Strategy for the Team 
    • a)  Deeper insight into the Core Process and the Seven Application Techniques
    • b)  An understanding of the relationship between the methodology and the standard applications
    • c)  Experience workshops as end-user participant  Continue reading
July 23, 2013

Summer Readings

Summertime has arrived and as it should be, it’s time for new readings and a little bit of relax. Therefore, activities will slightly slow down on the blog. As few might have noticed, some of the Lego interviews I did recently have been published as an exclusive on the London Progressive Journal and therefore, they do not appear here. So, here you are the Links to the articles and the videos that you might have missed 🙂

“Is there any truth in this model?” I ask.

“Well, what it’s truth?” he says. “The truth is that this block here is red”, he says showing me a red brick. “We can say that it is true that this is red but that’s on a very simple kind of level. You can get into it more specifically and more philosophically about what is red. Many different people in the world may describe this as ‘not red’ because this is red as well” he says pointing at another transparent red brick. “But it’s a different kind of red” he adds. “So I think it’s important to really be aware and to actually take time: if you want to learn about information, and possibly truth, you need time to communicate with a lot of different people with different perspectives. Then you might get close to the truth and get some interesting responses too”. [J.P. Tremblay] Continue reading

July 4, 2013

The filmmaker is a Tool. An interview with Milena Kaneva [+Video]

Milena Kaneva

Milena Kaneva

Milena Kaneva is a smiling and bright person, a filmmaker and film director who in 2006 produced one of the most inspiring films about Burma, Total denial.
The main characters of her film are activists Ka Hsaw Wa and his wife, and they wanted to make the difference by documenting how Karen villagers had been treated in Burma. The case came from the building of a pipeline that Unocal, a former oil company, that was built next to the Andaman sea to connect Burma to Thailand: Karen villagers ‘who stood in the way to progress’ – to say it with the oil company’s managers words – have paid their opposition with all sort of human-right violations.
Ka Hsaw Wa engaged and led an 8 years lawsuit agains Unocal and 15 Karen vilagers sued Unocal for human-right abuses with the support of Burmese military.
This is an inspiring story, the story of the victory of Ka Hsaw Wa and the victory of Karen vilagers who have seen recognised their rights in an US court.
Milena has followed this story for 5 years, between 2000 – 2005. Milena’s career yet is not that of a ‘classic’ filmmaker or journalist: she started as an actress, but then her interest towards society and stories that can inspire people has taken the lead and, inspired by the Nobel Peace laureate Aung San Suu Kyi and lending the title of her book, she funded the Free from Fear Foundation. The foundation’s aim – as stated in the website ‘is to use the power of film, free media and other initiatives to educate and empower people about human rights and to denounce human rights violations everywhere. By telling the truth we remove the veil of fear.
Something Milena already did and keeps doing, lending herself and her work to the cause of Burmese people and to those who are oppressed.
When She cames in, she is curious and excited – she immediately loved the concept of a LEGO based interview, and the whole interview had been a relaxed engaging and inspiring talk.

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June 28, 2013

Jean-Philippe Tremblay: filmmaking is about the team [+ Video]

Jean-Philippe Tremblay

Jean-Philippe Tremblay

Jean-Philippe Tremblay is a Director/Writer, Producer and filmmaker. His latest work, Shadows of Liberty, costed him more than 5 years of work, and it has been presented in June at the Biografilm Festival and here is where I meet him.
Inspired by Ben Bagdikian‘s book “The New Media Monopoly” that in 1984 reported how media is controlled by only 5 conglomerate corporations, Shadows of Liberty is a true and sincere ode to freedom of information, where journalists tell their stories and present the difficulties they face to reveal the truth at any cost, going against the establishment. An inspiring documentary that shows and demonstrates that even today, regardless the corruption and the the power of corporations and governments that do their best – or their worst – to manipulate information and craft consent, there are still brave and hard-working individuals who investigate, research and reveal the facts and the truth. My interview with Jean-Philippe Tremblay could not be anything but about information. Yet, before getting into the real question, I also wanted to learn about what being a filmmaker means to him. And this is how we start.

What is filmmaking? I ask.
He immediately engages with the bricks with an open mind, like anyone who enjoys exploring and experimenting, he is one of those individuals who communicate life and experiences. He stares at the bricks and then he starts telling me the story.

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June 20, 2013

Deconstructing information: an interview with Slavko Martinov [+ Video]

Slavko Martinov

Slavko Martinov

‘I am not scared… I have a beer!’ he says as soon as we meet. He is surprised and enthusiast as he sees the bricks. He is Slavko Martinov, filmmaker who filmed and produced Propaganda [See previous Post]. I explain him that the method is not a psychoanalytic session, but a search for truth ‘Which is typically subjective’ he adds.
As a filmmaker who has been working hard on the issues of propaganda and information, my questions were simple in their constructions, to let Slavko’s views and ideas to emerge freely: What is Information? I ask.
He stays silent for a while and starts playing with the bricks. He turns all the bricks upside down.

Slavko Martinov: deconstructing information

Deconstructing information

All separated. All detached. All on the table. Then, when he’s finished, he starts talking:
‘All these pieces are information… If you ask me what information is, it really makes me think that if everything I have turned the other way was information as it’s presented, my natural instinct is to turn everything over and examine it from underneath, or sideways or back to front, or upside down… That’s how I get to the truth. I just don’t accept information as it’s given to me. So, if this is me, my idea…’ and he pics the human figure and shows me the flower on the head ‘this little flowering of an idea or the bloom of an idea is that to question everything, upside down… even if I was built up and passed of some information I have to ask, according to who, where the source come from, who benefits and why I have been given that structure of information… I would completely take it apart to examine it…’ Continue reading

June 14, 2013

Slavko Martinov: Filmmaking is ideas and questions

Slavko Martinov during the Lego Interview at Biografilm Festival, Italy.

Slavko Martinov

Slavko Martinov is a New Zealander film-maker who created an international case around his latest work, Propaganda: a documentary which presents Western society through the critical eyes of an anonymous North Korean professor. The professor is actually Mr Eugene Chang, a South Korean expat whose life has been completely changed by the attentions the movie has received by South Korean authorities, who accused Eugene to be a North Korean spy. The accusations lead to Eugene’s  marginalisation and repudiation from the South Korean community in Christchurch, New Zeland, where  he lives and where the documentary has been filmed and directed by Slavko Martinov and Mike Kelland.  The idea of making a case has been a brilliant intuition, yet consequences went far beyond any expectation: the film mysteriously appeared  on YouTube on 18th July 2012 as a documentary provided by North Korean defectors, and it circulated as anti-Western propaganda material originating from North Korea, before the truth around the film has been revealed.
During a round table at Biografilm Festival, Slavko admits that he would never imagined that his movie would have such an impact on members of his crew’s life, he expected consequences, but on himself. He worked with legal experts and was ready to face problems, but despite the public efforts Martinov and Kelland have been doing to clear Eugene name, the three of them are officially considered North Korean agent and Eugene’s life has been tuned upside down. Continue reading

June 7, 2013

Jamming with LEGO SERIOUS PLAY: the 5 variables of Workshop Design

LSP @ GovJam

LSP @ GovJam

What if I apply LEGO SERIOUS PLAY to a Jam?

I should not ask myself such questions, because when I ask myself this, I want to find out the answer. So, my latest experiment was applying LSP to a GovJam. For those who are unfamiliar with the Jam concept, a Gov or Service Jam is a global event, taking place simultaneously all around the world for 48 hours, where participants, called jammers, are called to design a service or a product on a common secret theme, which is revealed just at the beginning of the Jam. The name Jam is taken by music: in a jam session musicians improvise on a common theme and make music together. The idea in a Jam of ideas, is the same: let people improvise and jam with their ideas to make new ideas together.
In a GovJam, the goal is to design a service aimed at the local public administration. Knowing how LSP can be flexible and how helpful it is when it comes to define a common topic and for team building, I thought it could be an exciting challenge to imagine and design a LEGO SERIOUS PLAY workshop to enhance creativity and let people to jam ideas with bricks.

This turned out to be an exciting designing exercise which has been demanding but rewarding as well. Designing an LSP workshop for a Jam, revealed a number of key differences with the design of a ‘traditional’ workshops and this challenge lead to a dynamic, exciting and challenging workshop management. Thanks to the experience, I have had kind of a guerilla training in managing the unexpected and I have learnt a number of useful issues which will be useful for future workshop design.
So, I have identified 5 variables that should be taken into consideration when designing a workshop in any other situation where nothing is given and everything is improvised and based on the play-do-play-do mantra.

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May 24, 2013

Colour exists by itself. It’s the human being who needs colour. LegoView with G. Cagnazzo.

Architect Gianni Cagnazzo

Architect Gianni Cagnazzo

Gianni Cagnazzo is an Architect. But that’s not enough to fully catch his polyhedric and enthusiastic attitude towards his job and his passions. Gianni Cagnazzo is president of IEM (Indoor Environment Management) and ANAB (National Association of Bio-ecological Architecture), member of the International Academy of Colour, he is professor in bio-ecological architecture, colour design and humanisation of the built space, he gives lectures at various institutes, including ANAB IBN (Institut fur Baubiologie und Oekologie – Neuberern), UNITRE, University of Turin… Colour is his passion, therefore the question was certainly due: What is colour?
He knows how my kind of interviews work and he starts building. When he is done, he explains me his model. Continue reading

May 17, 2013

Palestine from the Israeli Perspective: an endless list of missed opportunities

Palestine seen with the Israeli Eyes of Ariel

Palestine seen with  Israeli eyes: Ariel’s model

Ariel is an Israeli professional, holds an MBA and has degrees in sociology, anthropology and Jewish history. He was born in Argentina and has been living in Israel since 1993. We met in Tel Aviv, on a sunny day at the end of December 2011. After we talked about Israel, it was time for me to see Palestine with his eyes.
‘Build me Palestine’ I ask him.
‘Palestinians… Palestinians…’ he sobs while building his model.
When he finishes, he looks at me:
‘This man is the Palestinian… they have peace in their mind…’
I look at the model and in the attempt to get a full vision of it and to take pictures I turn it so that  the minifig could face me, but Ariel stops me. I am puzzled and ask ‘Why?’
‘This man is the Palestinian and he is looking toward the opposite direction, opposite to the way… They have peace in their mind, symbolised by the green bricks…’ he shows me ‘…they are dreaming about peace… No’ – he suddenly stops and corrects himself – ‘it’s not peace, they are dreaming about normalisation and about a free state, it’s not really peace… It’s like Egypt, we have peace with Egypt since 1981, it’s been 30 years. But that’s not real peace though. 10 years ago I went to Egypt, it was in 1991 and I didn’t feel peace like I do here, they don’t like us, let’s say. You won’t see Egyptians here. They don’t come here…’ Continue reading

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